ARRI

This week we are featuring ARRI's new fresnel lens for the Orbiter LED lamp, also from ARRI - we take a look at the latest SUP firmware for the ALEXA Mini LF and Blackmagic Design's latest updates to DaVinci Resolve 18.

ARRI just announced their highly-anticipated new camera the Alexa 35. Building on the legacy of the original ALEXA released 12 years ago, the ALEXA 35 represents the pinnacle of digital cinematography. ARRI has developed a brand new 4.6K Super 35 sensor capable of capturing 17 measurable stops dynamic range, more than any other digital cinema camera and ensuring compatibility with all your favourite spherical and anamorphic lenses.

ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor for 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colours.

This week we are featuring ARRI's announcement of their next generation camera stabilizer systems - the TRINITY 2 and ARTEMIS 2. Zeiss's addition of an ultra-wide lens to their Supreme line of cine lenses and new accessories for the Sony VENICE 2 from Vocas.

This week we are featuring ARRI's 2022 camera showreel, Kinefinity's announcement of the MAVO Edge 6K full-frame camera and the latest Blackmagic DaVinci Resolve 17.4.6 update.