Arri Amira

Designed to camera systems up to 30 kg (66 lbs) the Artemis Maxima offers the pinnacle of camera stabilisation. The unique custom tailored Artemis camera stabilizer system, represents the quintessence of a decade of high level functionality, modularity, German engineering and future proof design making it the future of camera stabilization.

The ARRI AMIRA has a lot of cinematographers excited due to the superb image quality, legendary design toughness and of course, single operator ergonomics. Predominantly geared towards single user operation, ARRI had the documentary filmmaker, corporate shooters and ENG camera professional in mind when they designed the AMIRA.

ARRI just rolled out a new extended warranty for its latest camera line-up. The new low-cost warranties are being offered at an extremely economical price-point for owners of AMIRA cameras, while ALEXA warranties, available for all current ALEXA models including the new ALEXA Mini, are being reduced in price by 50%.

ARRI has done it again - bringing out a lens that not that long ago many though wasn't possible to achieve. A wide angle anamorpic zoom! Cinematographers working in the documentary and film world would love the new possibility brought by this incredible new lens from ARRI. The new ARRI Anamorphic Ultra Wide Zoom AUWZ 19-36/T4.2 is a unique lens that perfectly complements the ARRI/ZEISS Master Anamorphic lenses by extending the range to cover extreme wide-angle focal lengths between 19 mm and 36 mm, without any sacrifice in image quality.

The big pre-NAB announcement this year was definitely the much anticipated Canon C300 Mark II. The latest EOS cinema camera from Canon is packed with a ton of advance features including in-camera 10-bit 422 4K recording up to 30p in the new Canon developed XF-AVC codec as well as slow motion in 1080p/2K up to 120 frames per second. At the heart of the new C300 Mark II lays a brand new 8.85MP Super 35 CMOS 4K sensor capable if the phenomenal 15 stops of dynamic range.