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Ever since it was announced at NAB 2015 back in April, the new Panasonic DVX200 has been at the tip of everyone's tongue. The first of its kind to use a 4K large sensor CMOS sensor and a fixed 13x zoom lens, made by Leica nonetheless, the DVX200 has a lot to offer, but also a lot to prove in an already crowded party.
We are super excited to be able to offer the Canon C300 Mark II to all our customers who are looking for the next broadcast industry workhorse - whether you need to shoot 4K or not, the Canon C300 II ticks all the necessary boxes for high-level professional video production.
The much hyped and rumored Sony PXW-FS5 was introduced at IBC. Interested to know if it lived up to its standards? Check out our blogpost.
The world of documentary filmmaking is anxiously awaiting the release of the new 4K Panasonic AG-DVX200. Just like its predecessor the mighty DVX100, the DVX200 is set to revolutionize the way we capture events, sports, documentaries, wedddings, corporate videos and everything in between.
Ever since it's introduction almost a year ago at last year's IBC trade show in Amsterdam, the 4K Sony PXW-FS7 departs from traditional Super35mm camera design as it combines lightweight optics, efficient compression with high-performance 4K, excellent color, wide dynamic range, in a minimalist, rig-less, ergonomic package optimized for Cinéma Vérité type production.
