Lighting

Using the new SEKONIC C-700 SpectroMaster extensively in their phosphor chemistry design process, Rotolight was able to develop an advanced formulation, which delivers exceptional color rendering results (AccuColour™ LED lighting technology) in the award winning Rotolight ANOVA and the latest NEO LED luminaires.

At the 2015 Cannes International Film Festival, approximately 60% of feature films from all selections were shot with ARRI equipment and more than 40% captured with the ARRI ALEXA and ARRI cine lenses.

Litepanels have been creating industry leading LED panels for almost a decade now, and with the recent introduction of the powerful and bi-colour Astra 1x1 original panel, it quickly became a permanent fixture in cameraman's lighting kits for interview lighting, documentary, corporate work and everything in between.

The big pre-NAB announcement this year was definitely the much anticipated Canon C300 Mark II. The latest EOS cinema camera from Canon is packed with a ton of advance features including in-camera 10-bit 422 4K recording up to 30p in the new Canon developed XF-AVC codec as well as slow motion in 1080p/2K up to 120 frames per second. At the heart of the new C300 Mark II lays a brand new 8.85MP Super 35 CMOS 4K sensor capable if the phenomenal 15 stops of dynamic range.

Canon has a long-standing tradition and heritage in manufacturing some of the world's highest quality broadcast lenses for the past few decades and just earlier today the Japanese electronics behemoth announced they are developing a new 4K optimized DIGISUPER UHD field zoom lens specifically designed for UHD capture with broadcast 2/3 inch type cameras.