Visuals
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Sony SxS Pro X media cards, Rode VideoMic NTG, PolarPro BaseCamp Matte box
This week we are featuring the new VideoMic NTG from Rode, their most advanced on-camera shotgun mic ever, PolarPro's new feather-weight BaseCamp Matte Box plus the latest generation Sony SxS Pro X media cards that are 3x faster than the current Pro+ versions.
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New Sony 24" 4K production monitor, AtomOS 9.2, Wooden Camera accessory kit
This week we are featuring Sony's new 24" 4K HDR production monitor unveiled at InterBee 2019, the latest AtomOS 9.2 update, official Wooden Camera accessory kit for the Canon C500 Mark II plus our Sony FX9 open day.
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ZEISS SP Radiance, Cooke Anamorphic, Adobe CC
This week we are featuring the new set of large format lenses the Supreme Prime Radiance from Zeiss, popular drama Peaky Blinders moves to 4K and anamorphic for Season 5 with Cooke and RED Monstro plus Adobe Creative Cloud gets a major update.
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The ZEISS Supreme Prime Radiance
The new Radiance lenses are available in a seven-lens set: 21 mm, 25 mm, 29 mm, 35 mm, 50 mm, 85 mm and 100 mm – all T1.5. As with the Supreme Prime lenses, the Radiance lenses are available in PL-mount or ARRI LPL-mount with ZEISS eXtended Data.
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Sony VENICE, Panasonic S1H, Atomos+Timecode Systems
This week we are featuring the Panasonic S1H the first stills/video mirrorless hybrid camera to be approved for Netflix productions, The Crown Season 4 switching from Sony F55 to VENICE plus breaking news from Atomos and Timecode Systems.